1981

1981
In memory of my dear old brother - Horringer Court 1982

The Pussyfoot

The Pussyfoot
The Pussyfoot by vocalist Terry Barfield

Tintern Abbey by Don Smith

Tintern Abbey by Don Smith
Tintern Abbey by Don Smith

The Carnaby

The Carnaby
By Andy Andrews

Wednesday, 30 November 2011

Behind the scenes of Gentle Influence - Jeff Arundell

It is with immense pleasure that I am able to bring you a history of Gentle Influence, a highly underrated Oxford band from 1969-70. This is all thanks to the band's bassist, Jeff Arundell who kindly put together the following commentary and photographs.


Following the break-up of the Newlanders, a very successful Witney (Oxfordshire) soul band, we formed The George Street Ideal to support our very talented vocalist, Martin Hester. We ‘found’ a new drummer, George Schwyzer, and the other members were Simon (Sam) Needler on Hammond Organ and Marc Pawley on guitar who also began to write songs together. We started to do a few gigs locally with some success and rehearsed in my parents’ house in the village of Shipton-under-Wychwood.

A wealthy Faringdon-based businessman, Rodney Harnett, approached us, said he would promote us, and eventually he became our Business Manager. We made a few demo’s and he managed to get some interest from John Schroeder, a legendary A&R man at Pye records. John introduced the song ‘Never Trust in Tomorrow’ and got Pye to sign us. However, one of the conditions was that we changed our name to Gentle Influence. They particularly loved Martin’s soulful ‘black’ sounding vocals. Sam and Marc wrote the B-side. We recorded the single in the famous basement studios of Pye Records in ATV House just off Marble Arch in London.

We were all semi-pro at the time and Rodney, with ambitious ideas, persuaded us to go fully professional and move to London. Gentle Influence was planned to be Pye’s answer to the new rave group ‘Love Affair’. Although ‘Never Trust’ got a lot of radio airplay on its release, and it was a Radio Luxemburg ‘Hit Pick’, it failed to sell enough and didn’t chart. Meanwhile we were rehearsing hard and doing a few gigs in and around London. One was the legendary open air Oxfam concert at Wembley Stadium on 13 July 1969 with a host of famous 60’s bands such as Love Affair, Status Quo, Grapefruit and Jimmy James & The Vagabonds.

It was very disappointing and rather worrying as we had all given up our jobs and had moved to London in expectation of great success. Rodney persuaded John Schroeder for Pye to fund and release a follow-up, ‘Always be a Part of My Living’ but this single also ‘bombed’. By the end of 1969, Rodney ended his management contract and we returned to Oxfordshire, got new jobs and resumed a semi-pro career for Gentle Influence. We were busier with gigs than we had ever been before, playing all over the southern part of UK!

At this time the BBC got in touch and asked us to record some live tracks for their daily Radio shows. Apparently the UK Musicians Union were becoming upset that there was too much airplay given to American records and curiously insisted that a certain percentage of music played should be recorded ‘live’ by the BBC. They hoped this would boost the involvement of UK professional musicians? So we started a very productive period of traveling up to BBC studios in Maida Vale, London most Sundays to record 6 live covers of popular songs in 6 hours. One track was then played each day of the following week to boost the percentage of recorded ‘live’ music on the BBC radio stations.

Eventually in 1970, the group ‘folded’ and we all went in completely different directions. I lost track of George, Martin took a welding job in Witney (a great waste as he was truly a much better singer than many who have achieved great fame and fortune), Sam took over the management of his family’s Sportswear and Skiwear Chain, Marc returned to work for Readers Digest in Swindon and I started my own business as a Used Car Dealer.


Above:  A Flyer with photograph taken on the Victoria & Albert Bandstand in Hyde Park, London

Above:   A Car Sticker promotional item


 Above:  1.       The group on a houseboat on the River Thames, Kew, London 1970
      2.       The group assembled on a farm gate: Shipton-under-Wychwood, Oxfordshire December 1969


 Above:  1.       George Schwyzer – drummer 1970 2.       Simon (Sam) Needler & Marc Pawley 1970


 Above: 
Left.  Jeff Arundell – Bassist
Right. Martin Hester – Vocals



Many thanks to Jeff Arundell for all of the above.  Image copyright remains that of Jeff Arundell.

The B side to their second single can be heard HERE

Wednesday, 5 October 2011

The World is a Trapezium - Motives - Tom Winter 1967

It with great gratitude to Tom Winter and the Motives that I bring you what is most probably the rarest single (well EP really) from the psychedelic era.

Recorded at Telstar Studios in Weert, Holland, as a demo to promote the band, this EP contains 4 tracks revealing the band's quality musicianship and extraordinary song-writing of Tom Winter.

You can read more at Sweet Floral Albion

Listen to Baby of the May














Sunday, 28 August 2011

The Sorrows - Ypotron / No No - 8 inch acetate

One of a kind, the Sorrows really letting their hair down, in this acetate from the film Ypotron (Operation Y from 1966 - Italy).

No No was released in Italy only, Ypotron only on film.








The Carnaby - Jump and Dance - acetate

There is a slight jump right at the beginning unfortunately (plays without problem on my Project deck however)..  Nevertheless, a delightful prerelease of this essential English beat single, dated 29th October 1965. 

You can hear the released version here, which was signed by all the band members.




Kippington Lodge - In My Life acetate

The flip side to the stunning 'I can see your face'. I believe that this acetate plays the same (more or less) as the released version.




Thursday, 18 August 2011

The Pussyfoot - Dee Dee Do Your Dance - Test Pressing

The third single release by The Pussyfoot, released 24th November 1967.

This is a test pressing kindly passed on to me by the original band's vocalist Terry Barfield, to whom I am eternally grateful in continuing to unfold the band's history.









Sunday, 5 June 2011

Such Sweet Sorrow - Windmill acetate?

This acetate plays a remarkably different version of Windmill's 'Such Sweet Sorrow'.  Indeed, in my estimation, this is a far sturdier rendition of the composition, with a more suitable tempo, balance of instruments and stronger vocals.  My guess is that it is indeed Windmill, but an early cut from 1969.

You can hear the released version here


...and the acetate version below:-



I was fortunate in being able to talk to DJ John Cull about the band's vocalist Dick Scott (deceased):


"Dick was very closely involved with Ken Howard and Alan Blakely of Dave Dee fame so I would be surprised if he had released a song by someone else for his first single.

Dick was a great guy, but could be a little cruel to the guys in his band. He came from Street in Somerset and I got on very well for him.
They used to do two of three sets a night at the Star Palast in Kiel and I would do a disco before and after and during the breaks.
I've attached a couple of photos - me - then and now. The Star Palast photo was during one of the breaks in Dick's show."
John presents a programme on Brooklands Radio every Friday morning 9:30 to noon www.brooklandsradio.co.uk